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connected with
each
other freely
and
surprisinly - so-to-say in an inner lightspace
everything is possible:
the paths of the French park become related to the paths
of the mole
(fear of any gardener by the way), the jelly fish
would be taken
for the mole and close to the light strings of
synapses generate
to a DNA-spirale. A real fieldbed is
standing here. Is
gras green or militaristic sparse? Is it about fight?
about the
preliminary says Annalena. The
Geisterfahrer searching for her own way can
have a rest here to
recuperate, to try out own orders, which concen- trate
the view of the
onlooker in focussing points again and again to start
off anew, break
through to the next level between feeling and thinking.
In an inbetween sleep the brain goes from beta to alpha as known and from there no traffic rules apply. Here then it will be possible to perceive something what the eye doen't. Francisco Goya stated by the end of the 18th century that "sleep of reason gives birth to monsters" Annalena does not let the world of terms go to sleep, but draws the invisible curtain to the world of pictures aside, so that she can play with both worlds in her inner light space at the border, one |
recognizing the
other as
related. The condition that
makes intuition possible, possibly the entrance to
paradise? And this
has nothing to do with age. But it is a miracle if it is
successful.
Annalena is en route today between science and art and she is with herself, and she is highly concentrated prepared to enliven the thinking patterns lead from inside, what possibly is perceived as disturbance. The car only delivers different 'pictures' than if Annalena would get out of the car and unfold her scaffold. I wish for Annalena further as much wakefullness towards inside and outside and fortune on her way... and for us an enlivening evening with the help of the stairs between up and down. To finish please be informed about the Finissage on 24.06.2005, when there will take place here an interessting podium to the term "perception". Thankyou for your attention. E.S. |
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